Built for SuperTickets
Nigeria doesn't go out for basic. SuperTickets is the app for everything worth leaving the house for — Afrobeats, Nollywood, Super Eagles, comedy, festivals. One ticket layer under all of it.
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Nigeria doesn't go out for basic. SuperTickets is the app for everything worth leaving the house for — Afrobeats, Nollywood, Super Eagles, comedy, festivals. One ticket layer under all of it.
Quicket does music. Nairabox does movies. Nobody has built a platform covering what Nigerians actually spend their weekends on — Afrobeats shows, Nollywood premieres, Super Eagles qualifiers, Basketmouth, Felabration. SuperTickets is that platform. You're not entering a crowded market — you're building the category.
The landscape is basic. SuperTickets isn't.
Every incumbent solved one slice — usually a checkout page, usually for music. Nobody has built the discovery, organiser, and trust layers Africa actually needs. That's the gap. And it's still wide open.
| Quicket | SA incumbent. Music-heavy, card-first, weak on mobile money. Barely present in Nigeria. | Active |
| Nairabox | Nigeria-native but cinema-locked and hasn't shipped meaningful organiser tools in years. | Limited |
| TixAfrica | Single vertical. Checkout works; discovery doesn't. No organiser analytics layer. | Active |
| Webtickets | Dated SA platform. Useful for corporate events; invisible to anyone under 35. | Limited |
| Eventbrite | Global. Fine for a conference in Ikoyi, wrong tool for a Felabration or an AFCON qualifier. | Huge |
| Ticketmaster | Owns venues globally. Will not show up for a Nigerian promoter. Never has, never will. | Huge |
| SuperTickets | Multi-vertical. Mobile-money first. Built for Lagos signal, not conference Wi-Fi. The platform the market has been waiting for. | You |
The landscape is basic.
SuperTickets is Super.
The front door for every SuperTickets user. Discovery, checkout, and the ticket wallet — all on a phone, all fast on 3G.
Every promoter, cinema, or comedy house gets a dashboard that beats anything Eventbrite ships — priced for a Nigerian market.
Signed QR tickets that can't be duplicated — plus a scanner app that works when the venue Wi-Fi inevitably doesn't.
The money layer. Card, transfer, mobile money — with a proper ledger so every naira is accounted for the morning after.
Four-phase sprint structure with design approval, alpha, beta, and launch gates. You see working software every fortnight — not a surprise reveal at week 23.
We think clearly about what's in scope so you don't pay for surprises later. Phase 1 delivers a credible MVP covering music and cinema in one market, with the architecture to scale. The strategy brief describes an eventual platform that goes much further — we've priced only what we can ship in 24 weeks at this budget.
These items are intentionally out of scope for Phase 1 and will be priced separately when you're ready:
Each of these is a real project in its own right. Rolling them into Phase 1 either delays launch by months or produces compromised versions of features that should be done properly. We'd rather ship a sharp MVP and phase the rest honestly.